Tibetan Baseball T-Shirts

Simple gold tibetan aum design in burgundy circle

A 19th century American print depicting life in Tibet. The work depicting native Tibetans engaged in a polo match, playing battledore or shuttlecock and dancing. The artist has used the old English style ' Thibet ' for his title.

Vintage Tibetan Mastiff Every Snack You Make Every Meal You Bake Every Bite You Take I'll Be Watching You. This Tee Is Perfect For Who Were Happy With Their Dogs.

Introducing our extraordinary design featuring Guru Dragpo, a fearsome emanation of the revered guru-saint Padmasambhava, dating back to 18th-century Tibet. In this wrathful meditational form, Guru Dragpo wields the powerful ritual tool, the vajra, and clutches a black scorpion, symbolizing his potency and ferocity. His waist is adorned with the skin of a tiger, while the flayed skin of an elephant drapes over his shoulders. A crown embellished with skulls and a garland of severed heads further accentuate his fierce presence. Guru Dragpo holds great significance as an essential protector deity within the Nyingma School of Tibetan Buddhism.

The endless knot is a prevalent symbol in monasteries that has many meanings, but the most common is a representation of Samsara, the endless cycle of birth, death, and rebirth. The ultimate goal in Buddhism is to escape this cycle of suffering through nirvana.

Wisdom Eyes of Buddha

Wisdom Eyes of Buddha

The best gift for puppy lovers, dog whisperers, pet owners, pet lovers or any one who loves dogs on Christmas, Xmas holiday, Winter season, Christmas vibes

Command of Master by Russian painter Nicholas Roerich

Tibetan monks at dawn

19th century Tibetan sleeping rug.

Tea-betan Spaniel boba. Based on my very own Tibetan Spaniel.

This design is the perfect gift for a birthday, Christmas and other celebrations.

This design is the perfect gift for a birthday, Christmas and other celebrations. It is suitable for women, men and kids.

This design is the perfect gift for a birthday, Christmas and other celebrations. It is suitable for women, men and kids.

This design is the perfect gift for a birthday, Christmas and other celebrations. It is suitable for women, men and kids.

Guru Dragpo, a fierce emanation of the guru-saint Padmasambhava, stands astride a flaming aureole holding a ritual tool, the vajra, and a black scorpion. The skin of a tiger is drawn around his waist while the flayed skin of an elephant is draped over his shoulders. He wears a crown adorned with skulls and a garland of severed heads. In this wrathful meditational form, Guru Dragpo was an important protector deity of the Nyingma School of Tibetan Buddhism. In the upper register are depictions, from left, of Manjushri, Shadakshari Lokesvara, Amitabha, Padmasambhava, and the wrathful deity Hayagriva.

The oṃ maṇi-padme hūṃ (om mani peme hung) mantra of Bodhisattva.

Saint Francis painting by Nicholas Roerich

Mahakala is one of the most popular guardians in the Tibetan Buddhist pantheon. This tangka, one of the earliest and grandest of this subject was created in the 15th century. Here he tramples a corpse while wielding a flaying knife and a blood-filled skull cup, signifying the destruction of impediments to enlightenment. In the crooks of his elbows, he supports a gandi gong, a symbol of his vow to protect the community of monks (sangha). His principal companions, Palden Remati and Palden Lhamo, appear to his left, and Legden Nagpo and Bhutadamara are at his right. At lower left is Brahmarupa blowing a thighbone trumpet. He is especially revered by the Sakya order, which commissioned this work.

Digital art of a collection of Manjushri symbols, mantra, and lotus.

Digital art of a collection of Manjushri symbols, mantra, and lotus.

Digital art of a collection of Manjushri symbols, mantra, and lotus.

Originated in India, the endless knot is one of the Eight Auspicious Symbols of Buddhism, symbolizing the endless wisdom and compassion of the Buddha.

Hevajra appears on this 15th-century tangka in his three-headed and four-armed form. This manifestation is drawn from the Hevajra Tantra, a text revered by the Sakya order of Tibetan Buddhism, who likely commissioned this painting from a Newari artist from Nepal. Hevajra and his consort Nairatmya dance at the intersection of four vajra gateways, indicating their position at the center of the cosmos. His name is composed of two syllables: “he,” compassion, representing the male aspect, and “vajra,” wisdom, the female aspect, which together offer the path beyond this illusory world. The repeating skull symbolism references the impermanence of all phenomena.

In the ritual practices of Tibetan Esoteric Buddhism, it is recognized that if the practitioner relies only on the recitation of Esoteric incantations and observation of mandalas, it is impossible to reach the realm in which one becomes a Buddha, and for this, it is also necessary to practice the five forms of meditation in order to acquire the five types of wisdom. When Sakyamuni completed the ten steps in the practice of becoming a Bodhisattva, he also entered samadhi. The lower half of this thangka depicts him enduring the disciplines entailing suffering (lower right corner), the second his Esoteric practices (lower center) and debating Buddhist concepts, demonstrating the path Sakyamuni had to follow to acquire the five types of wisdom.

In this rare 14th-century Tibetan painting of Chenresi, a cosmic form of the Bodhisattva Avalokiteshvara, he is represented with ten heads and one thousand arms, which fan out to form a golden aureole. Each of the Buddhist savior’s hands has an eye in its palm, an embodiment of his power to radiate wisdom in every quarter of the universe. He stands elevated on a lotus pedestal and is surrounded by cave-like niches, each occupied by either a lineage lama or a protective deity. At the lower left is an offering table with attendant monks. Two inscriptions appear on the reverse: one in Sanskrit (the ye dharma charm-verse, or dharaṇi) and one in Tibetan that praises patience, “the holiest ascetic practice.”

Madame Helena P Blavatsky Esoteric Art Nouveau Design

Madame Helena P Blavatsky Esoteric Art Nouveau Design

Double Dorje - Vishvavajra -Vajra

Double Dorje - Vishvavajra -Vajra

Double Dorje - Vishvavajra -Vajra

Buddha meditating in lotus pose under Tree of Life above the Om Mani Padme Hum Tibetan Buddhist mantra of compassion.

Double Dorje - Vishvavajra -Vajra