Pointillism Magnets

A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat is a vintage pointillism painting.

A Sunday Afternoon on La Grande Jatte by Georges Seurat is a timeless masterpiece that captures the essence of leisure and beauty. Features a lush park filled with people from all walks of life, each enjoying a peaceful Sunday afternoon. The calm waters of the river in the foreground and the bustling city in the background, create a harmonious blend of nature and civilization. Great for art lovers, history buffs, beauty enthusiasts, and nature lovers.

The Infinite Pangolin was drawn with ballpoint pen. I love pangolins – they remind of little dragons. Sadly, these adorable creatures are endangered.

Original pointillism work by Makayla kidder visit the shop for more pointillism and digital designs!

Pointillism drawing of a parrot

Distressed CMYK / RBG Graphic Artist Color Wheel

Illustrated with Ink and Ink-Pens. Urh.-Nr:1811955 © Copyright  by Carolina Matthes

Zodiac 12 is a series I have started in October 2016, using pointillism to draw out each Chinese Zodiac with its corresponding Chinese characters. A total of 12 designs are available to be collected. Design is best suited on white or light backgrounds.

This art is a rare and original technique called "Dotwork" and created by hand on paper with millions little ink dots.

Sunflower design using pointillism

A Sunday Afternoon on the Island of La Grande Jatte by Georges-Pierre Seurat, 1884. Oil on canvas.

The warm sun makes this majestic lion glow with pride. He's relaxed yet ready to take control!

Zodiac 12 is a series I have started in October 2016, using pointillism to draw out each Chinese Zodiac with its corresponding Chinese characters. A total of 12 designs are available to be collected. Design is best suited on white or light backgrounds.

Zodiac 12 is a series I have started in October 2016, using pointillism to draw out each Chinese Zodiac with its corresponding Chinese characters. A total of 12 designs are available to be collected. Design is best suited on white or light backgrounds.

Zodiac 12 is a series I have started in October 2016, using pointillism to draw out each Chinese Zodiac with its corresponding Chinese characters. A total of 12 designs are available to be collected. Design is best suited on white or light backgrounds.

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Enjoy!

Another starry night in atlanta piece, done by me. this time the original sketch that inspired the bigger piece.

CMYK / RBG Graphic Artist Color Wheel

Fold the cheese!

A caturday Afternoon 1885

Illustrated with Ink and Ink-Pens. Urh.-Nr:1811955 © Copyright  by Carolina Matthes

This design was created on the 5th October for Inktober. The prompt was 'build' and so I wanted to draw a building made up of unusual objects. I ended up drawing a building constructed from a bus, a water tower, and a garden shed. To see more of my designs, visit: @ofearn_art on instagram

One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design. . Urh.-Nr:1811955 . Copyright  by Carolina Matthes

hand-drawn illustration of Bullseye, nails straight to the eye!

The new version of the iconic lips design

FORNASETTI STYLE INSPIRED PORTRAIT

Illustrated with Ink and Ink-Pens. Urh.-Nr:1811955 © Copyright  by Carolina Matthes

Black and white ink drawing of an iris flower in stippling technique.

Parade de Cirque (Circus Sideshow) by Georges-Pierre Seurat. Oil on canvas.

I remember spotting camels on a road trip I took a few years back in rural Australia, the temperature that day was up near 40 degrees celsius. Roasting! So here's a cool camel with some shades. This design was created by Celia Coulter for Inktober 2018 drawing challenge - day 3 prompt "Roasted" that Celia is combining with an A-to-Z of Animals "C is for Camel". Checkout her instagram @flourish_and_flow for more drawings in the challenge . . .

Clearing in Provence by Henri-Edmond Cross, circa 1906. Oil on canvas.

The Bonaventure Pine by Paul Signac, 1893. Oil on canvas.

A vibrant take on an Australian Icon

The ole faithful skull, mandala and pile of cubes combo.

Delicate and strong. Creating the concept for this piece was mere happenstance. I was visiting Maine with my two boys, and while paddling around Burgess Pond, we stopped by a small spit of land to peep some turtles, stack some stones, and cast our lines a handful of times. The vision of a delicate fern branch swaying in the warm summer breeze while my two sons played with granite pebbles, barefooted, under the bough of the pine trees materialized what you have before you.