MIND FOX

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Vincent van Gogh (1853–1890) brought his work in Provence to a close with exuberant bouquets of spring flowers—two of irises and two of roses, in contrasting formats and color schemes—in which he sought to impart a "calm, unremitting ardor" to his "last touch of the brush." Painted on the eve of his departure from the asylum at Saint-Rémy and conceived as a series or ensemble on a par with the Sunflower decoration painted earlier in Arles, the group includes the Metropolitan Museum's Irises and Roses and their counterparts: the upright Irises from the Van Gogh Museum, Amsterdam, and the horizontal Roses from the National Gallery of Art, Washington, D.C.

In his many river views Van Ruysdael paid close attention to types of boats and the buildings they sail by. Here, however, his main concerns seem optical: silhouettes, reflections, and a panoramic view over water shining like polished pewter. Source: https://www.metmuseum.org/art/collection/search/438380

The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.[1][2][3] It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus,[4][5] The Starry Night is one of the most recognizable paintings in Western art. Source: Wikipedia

In 1888 Vincent Van Gogh painted a series of pictures of a lonely figure moving across a plowed field, a favorite subject of the artist: a broad gesture of the right hand indicates that sowing is taking place. However, the real protagonist of the paintings, which later became aptly known as The Sower, 1889, is the sun in the horizon, a huge, godlike, bright disk flooding the sky with light. The effect is so strong that colors are inverted and stark complementary colors appear: the sky is painted with yellow and the land with violet. Next year, while Van Gogh lived in an asylum for the mentally ill in Saint Remy, France, he painted similar pictures that later became known as Wheatfield with a Reaper.

In mid-March 1888 van Gogh writes of the weather and that the almond trees are coming into full flower, "The weather here is changeable, often windy with turbulent skies, but the almond trees are beginning to flower everywhere."[13] Mancoff says of flowering trees and this work,[14] In his flowering trees, Vincent attained a sense of spontaneity, freeing himself from the strict self-analytical approach he took in Paris. In Almond Tree in Blossom, Vincent used the light, broken strokes of impressionism and the dabs of colour of divisionism for a sparkling surface effect. The distinctive contours of the tree and its position in the foreground recall the formal qualities of Japanese prints. Source: Wikipedia

View of Arles, Flowering Orchards is a painting by Vincent van Gogh, executed in spring 1889, one of several paintings he produced in his Flowering Orchards series while living in Arles. It supplies a view across a canal and the poplars on its board towards the historical center of Arles, with the towers of Saint-Trophime and College St Charles to the left, contrasted by recent building of the Caserne Calvin, housing the Zouave Regiment, to the right.[1] Van Gogh was acquainted with several of the Zouave officers, painted one in native uniform, and his portrait of Lieutenant Milliet is known as The Lover. Poplar trees still stand along the canal, today, but the orchards and the Caserne are gone.

Van Gogh painted a series of pictures depicting sunflowers, having first been inspired by the yellow flowers H Paris where he saw them growing in the gardens of Montmartre. They were a motif that he returned to often, and in the summer of 1888 he embarked on a large number of paintings of sunflowers to decorate his studio and house in preparation for Gauguin's arrival. Sunflowers were symbolic of life and hope to the artist, and could also be associated with his concept of the sun - round, glowing, yellow, and hopeful.

Starry Night [1] (September 1888, French: La Nuit étoilée), commonly known as Starry Night Over the Rhône, is one of Vincent van Gogh's paintings of Arles at night. It was painted on the bank of the Rhône that was only a one or two-minute walk from the Yellow House on the Place Lamartine, which Van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of van Gogh's more famous paintings, including Café Terrace at Night (painted earlier the same month) and the June, 1889, canvas from Saint-Remy, The Starry Night. Source: Wikipedia

Digital rendition of Starry night - a painting by vincent van gogh The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus,The Starry Night is one of the most recognizable paintings in Western art. Source: Wikipedia

beautiful impressionist painting by vincent van gogh - First Steps, after Millet In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after Millet, an artist he greatly admired. He considered his copies "translations" akin to a musician's interpretation of a composer's work. He let the black-and-white images—whether prints, reproductions, or, as here, a photograph that his brother, Theo, had sent—pose "as a subject," then he would "improvise color on it." For this work of January 1890, Van Gogh squared-up a photograph of Millet's First Steps and transferred it to the canvas.

almond blossoms - painting by vincent van gogh In mid-March 1888 van Gogh writes of the weather and that the almond trees are coming into full flower, "The weather here is changeable, often windy with turbulent skies, but the almond trees are beginning to flower everywhere." Mancoff says of flowering trees and this work, In his flowering trees, Vincent attained a sense of spontaneity, freeing himself from the strict self-analytical approach he took in Paris. In Almond Tree in Blossom, Vincent used the light, broken strokes of impressionism and the dabs of colour of divisionism for a sparkling surface effect. The distinctive contours of the tree and its position in the foreground recall the formal qualities of Japanese prints.

vintage style painting in the impressionist style, with bright colors and a bold stlye. shows the evening time with bright bulbs, colorful trees, two people walking and a telephone booth, along with a bench and a road

A lane near Arles depicts a beauiful field, sky with light blue tint, a tree, grass, and a lane near Arles. A charming and calming piece of retro art which is painted with oil paint. classic, vintage, old painting

Plain of Auvers, one of van gogh's last paintings, painted just a few hours or days before he shot himself in the chest and committeed suicide. it depicts a beaufitul yet unnerving contrast between the dark and the light. god only knows what would happen if he were alive for a few more years. classic, vintage

a girl looking above at the stars and galaxies into a portal maybe.

a home or something made in a dystopian future with a twiight background.

dark dusty beautiful room with an old, maybe elizabethan or victorian styled motifs.

scene of a dystopian future with high rise buuildings or a train and people or something.

scene of a forest and a lake with beautiful clouds/mist around it.

beautiful weird golden mirror glow shine