Persian Fashion Crewneck Sweatshirts

Persian Asian Architecture pattern Arabian

Persian Asian Architecture pattern arabian

Persian Asian Architecture pattern arabian

Persian Asian Architecture pattern Arabian

This design includes letters of the word "woman" in the Persian language.

This colorful drawing is of a Persian girl taking a selfie with an iPhone, holding an expensive bag and an iced latte from Starbucks. People ask me if this is supposed to be me or Frida Kahlo. I guess it could be me if I looked anything like that and it could be Frida if you think it is. Why buy this? Because when people ask you "What style is that?", you can say "Qajar." And then they'll say, "What?" and you'll say "Qajar" again. This is like this dog my mother had growing up. Stranger: What kind of dog is that? My mother: A boyken Stranger: A what? My mother: A Boyken So they ended up calling their dog a Boyken Boyken because they always had to say it twice.

Artdeco Popies in Aqua Blue and Fuschia artwork by Nisuris Art.

The dress design is an actual fabric design i have on fabrics at Spoonflower. Here is a little girl with blue hair holding her white cat wearing the print, “Leaping Tutu toads” ;-)

Typography of Tehran in Farsi

Persian Textile pattern

If those who are advising us, advise us to abandon our love, they advise the impossible- Saadi. Classic calligraphy of Ali Akbar Golestaneh, a 19th Century Persian master of Shekasteh Nasta'liq calligraphy. In this collection titled "Classic Calligraphy," we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns ("Islimi"), sacred geometry patterns, and traditional paintings of flowers and birds ("Gol o Morgh").

“Companionship was my fate” — Classic calligraphy of Malek M. Ghazvini, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Iranian Teapot cut from 1891 map of Iran

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. This calligraphic style is called “Siyah Mashq,” and can be loosely translated to “Ink Drills,” because the final product is a sheet so covered in writing, it looks as if a calligrapher were executing writing drills in black ink. In this style, a calligrapher treats words or poetry verses the same way a weaver treats thread. He/she writes verses or words repeatedly— overlaying them, binding them to one another, weaving and knitting them together. The purpose of this style of calligraphy is to meditatively transform letters, words, and phrases from mere language into objects that artists can then use to build aesthetically pleasing and spiri...

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

"توکلت بمغفره المهیمن، هو الغفور ذو الرحیم" “I trust the Protector— the Forgiving and Merciful one” — Classic calligraphy of a 19th-century Ottoman calligraphy master in the script of Thuluth Arabic In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

glass door antique historical

Translation of this poem written in Persian calligraphy: Life is the beautiful scene for our art. Everybody sings their song and leave the scene. Good for those people will remember their songs.