Anu Long Sleeve T-Shirts

Based on some heiroglyphs, the God Anu, embellished in gold.

Yeshua is Anu Start. Father of the Gods † Ruler of the Heavens. Follow Yeshua, and you can Start Anu.

A Sumerian Cuneiform for Anu, the sky God. The background was painted wet on wet and made to resemble clouds.

Ereshkigal (also known as Irkalla and Allatu) is the Mesopotamian Queen of the Dead who rules the underworld. 1800-1750 B.C.E., Old Babylonian

Sumerian Star

Babylon the gate of Gods located in the Babylon - Iraq

Ishtar Gate pattren

Classic style white lettering on select dark colors. Child of god Anu of the Anunnaki historic civilization featuring clever placement of the God An Symbol Ur III Sumerian Cuneiform Anu Dingir. Makes a great gift for the historian, agnostic, atheist, or Sumerian in your life. Looks great on Men, Women, or anyone. 100% Cotton, extended sizes XXL 3XL, 4XL black and white, navy and white, maroon and white, grey and white.

From Sumerian Civilization

From Sumerian Civilization

Australian National University, Canberra, Australia 3H1003.2291 Nikon D300 | Nikon 18-200VR @ 82 mm 1/250s f/18 ISO200 | Raw Featured in The Weekend Photographer (27 August 2010) Featured in Old and New CITY Buildings (23 October 2010) Featured in I Shoot Raw (30 October 2010) Featured in Australian Capital Cities (6 December 2010)

Gilgamesh

From Sumerian Civilization Lyres

From Sumerian Civilization Lyres

From Sumerian Civilization

This calming painting was created with the intention of ushering in peace. Peace inside, peace outside, peace inside, peace on earth, peace on earth.

The owl symbolizes a self awareness, a wisdom of seeing beyond and being a witness. This painting reminds us of our ability to know ourselves authentically but at the same time not take ourselves too seriously.

Like an exploding star in space, this painting captures that brightness and beauty. It affirms that infinite source of energy within us that we can access when we all need a little boost.

I Am Bliss captures the pure joy of blossoming. As I watch the color spread on the canvas, I feel a contagious happiness that I hope is captured in this painting.

Capturing the brightness of the diya, the lamp of Diwali, this painting was created to affirm the light in each one of us and honor our right to shine.

This was painted to affirm that we are all safe, protected, watched over and guarded as we navigate a world that is often frightening. I hope this image will be an anchor in the storm.

This painting brings to mind the whimsical and playful energy of magic. It reminds us of the mystery hidden in plain sight in our daily lives and affirms that within each one of us there is an element of wonder.

Gratitude is the doorway to abundance. This painting was created with deep appreciation for all the blessings that greet us each day.

Every spring I look forward to the return of the plucky daffodil. It symbolizes resilience and beauty. This painting affirms that fresh energy of renewal that we all need to tap into during after the winters of our lives.

This painting captures the majesty of the galaxy. It calls on the connection between the microcosm and the macrocosm. It offers the affirmation of cosmic energy and ability within each one of us.

This painting echoes the melodies that arise within each one of us. It affirms a global harmony that we create through music, art and song.

Anunnaki Royal Necklace

Lamassu Human-headed Winged Bull, The lamassu is a celestial being from ancient Mesopotamian religion bearing a human head, bull's body, sometimes with the horns and the ears of a bull, and wings. It appears frequently in Mesopotamian art.

From Sumerian Civilization Lyres

Enki, Sumerian, Babylon, Babylonian, Assyrian, Assyria, Akkadian, Mesopotamia, Mesopotamian, Anunnaki, Marduk, Ishtar, Enlil, Anu, Gilgamish, Civilization, Ancient, history, Old, Nanna, Sîn, Utu, Shamash, Inanna, Adad, Ninurta, Nabû, Nergal, Dumuzi, Dingir, Etemenaki.

Inanna - Dumuzi

The Standard of Ur

Ishtar Gate

The ancient sources give some clues as to who lived in the Mesopotamian marshland and what the landscape looked like in the first millennium. Two terms are used in the written sources to refer to the marshland in southern Babylonia: agammu “marsh, swamp” and appāru “reed marsh, canebrake”. The Sealand was inhabited by Chaldeans and Aramaeans. Šūzubu (Mušēzib-Marduk), the Chaldean leader of Bīt-Dakkūri, is referred to in Sennacherib’s inscriptions as “a Chaldean who lives among the marshes (agammu)” and Bīt-Jakīn is described as the land “which is in the marshes (agammu) and canebrakes (appāru)”. Concerning Bēl-iqīša, the leader of the mighty Aramaean tribe of Gambūlu, Esarhaddon says that his residence “is located twelve leagues distance...

Turquoise Lion of Ishtar gate

Hammurabi