Arabic Calligraphy Dervish Sufi Magnets

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Arabic Typography Sufism Calligraphy Twirling Dervish

“If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. www.silkminds.com For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/

“Love is my Faith and Religion. Whatever way Love’s caravan take, that is my religion and my faith.” - Ibn-Arabi (A 12th-century Arab Andalusian Scholar, Sufi mystic, poet, and philosopher) The spiritual aesthetic of the poem was created by combining traditional Thuluth calligraphy with some Islamic miniature designs set against the silhouette of a cityscape. www.silkminds.com

This custom piece features one of the six gates to the village of Kulachi, Dera Ismail Khan, Khyber Pakhtunkhwa, Pakistan, through which the dome of the mazar of a great sufi saint, writer and Sufi research scholar of the 20th century. The painting also incorporates the Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). Sheikh, Hazrat Faqir Nur Muhammad (RA) (1882-1960) was born in Kulatchi – a little known village in the district of Dera Ismail Khan in the North Western Frontier Province of Pakistan, a mystic and scholar on Islamic spiritual sciences and the author of the two volume classic books on Islamic spirituality, IRFAN, published in 1930. Hazrat ...

This custom piece features the mazar of a great sufi saint, Sultan Bahu is located in Garh Maharaja, Punjab. The painting also incorporates the Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). Sarwari Qadiri Also known as Qadiriya Sultaniya, the order was started by Sultan Bahu in the seventeenth century and spread in the western part of Indian Subcontinent. Hence, it follows most of the Qadiriyya approach. In contrast, it does not follow a specific dress code or require seclusion or other lengthy exercises. Its mainstream philosophy is contemplation of belovedness towards God. Read More Sultan Bahu (Urdu: سُلطان باہُو‎‎; also spelled Bahoo; ca 163...

The Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). Prints and downloadable images are available with a Blue, Red and Black backgrounds as per featured images, originals can be ordered in these or any other color variations (Please select your preferred color from ‘Additional options’).

From the Glorious Diwan (Poem) of Shaykh Muhammad ibn al-Habeeb titled Remembrance of My Lord. “I am ecstatic, alone, in the remembrance (dhikr) of my Lord. The remembrance (dhikr) of my Lord – it is the cure. I have loved a Lord – on Whom I can count in each single thing – it is He who decrees: And in each love for what is other-than-He, in it is pain – in it is grief. Oh the victory of the one annihilated beyond annihilation. He will have life! and going-on! Oh Lord bless Muhammad! From his essence light! Radiance too! His Family and noble Companions. They make the trusts! They keep them too!”

The Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). The Throne Verse (Arabic: آية الكرسي‎, translit. ʾĀyat al-Kursī) is the 255th verse of the 2nd surah of the Qur’an, Al-Baqara. The verse speaks about how nothing and nobody is regarded to be comparable to God. It is one of the most well-known verse of the Quran and is widely memorised and displayed in the Islamic world Arabic بسم الله الرحمن الرحيم اللَّهُ لَا إِلَٰهَ إِلَّا هُوَ الْحَيُّ الْقَيُّومُ ۚ لَا تَأْخُذُهُ سِنَةٌ وَلَا نَوْمٌ ۚ لَّهُ مَا فِي السَّمَاوَاتِ وَمَا فِي الْأَرْضِ ۗ مَن ذَا الَّذِي يَشْفَعُ عِندَهُ إِلَّا بِإِذْنِهِ ۚ يَعْلَمُ مَا بَيْنَ أَيْدِيهِمْ وَمَا خَلْفَهُمْ ۖ وَل...

The Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). The Throne Verse (Arabic: آية الكرسي‎, translit. ʾĀyat al-Kursī) is the 255th verse of the 2nd surah of the Qur’an, Al-Baqara. The verse speaks about how nothing and nobody is regarded to be comparable to God. It is one of the most well-known verse of the Quran and is widely memorised and displayed in the Islamic world Arabic بسم الله الرحمن الرحيم اللَّهُ لَا إِلَٰهَ إِلَّا هُوَ الْحَيُّ الْقَيُّومُ ۚ لَا تَأْخُذُهُ سِنَةٌ وَلَا نَوْمٌ ۚ لَّهُ مَا فِي السَّمَاوَاتِ وَمَا فِي الْأَرْضِ ۗ مَن ذَا الَّذِي يَشْفَعُ عِندَهُ إِلَّا بِإِذْنِهِ ۚ يَعْلَمُ مَا بَيْنَ أَيْدِيهِمْ وَمَا خَلْفَهُمْ ۖ وَل...

“If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/

From the Glorious Diwan (Poem) of Shaykh Muhammad ibn al-Habeeb titled Remembrance of My Lord. “I am ecstatic, alone, in the remembrance (dhikr) of my Lord. The remembrance (dhikr) of my Lord – it is the cure. I have loved a Lord – on Whom I can count in each single thing – it is He who decrees: And in each love for what is other-than-He, in it is pain – in it is grief. Oh the victory of the one annihilated beyond annihilation. He will have life! and going-on! Oh Lord bless Muhammad! From his essence light! Radiance too! His Family and noble Companions. They make the trusts! They keep them too!”

“If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/

From the Glorious Diwan (Poem) of Shaykh Muhammad ibn al-Habeeb titled Remembrance of My Lord. “I am ecstatic, alone, in the remembrance (dhikr) of my Lord. The remembrance (dhikr) of my Lord – it is the cure. I have loved a Lord – on Whom I can count in each single thing – it is He who decrees: And in each love for what is other-than-He, in it is pain – in it is grief. Oh the victory of the one annihilated beyond annihilation. He will have life! and going-on! Oh Lord bless Muhammad! From his essence light! Radiance too! His Family and noble Companions. They make the trusts! They keep them too!”

The Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). Prints and downloadable images are available with a Blue, Red and Black backgrounds as per featured images, originals can be ordered in these or any other color variations (Please select your preferred color from ‘Additional options’).

The Ism-e-Allah Zaat (The Personal Name of Allah) and Ism-e-Mohammad (Sacred Name of Mohammad Sall’Allahu Alayhi Wa’alihi Wasallam). Prints and downloadable images are available with a Blue, Red and Black backgrounds as per featured images, originals can be ordered in these or any other color variations (Please select your preferred color from ‘Additional options’).

Allah (/ˈæl.lə, ˈɑːl.lə, əˈl.lɑː/; Arabic: الله, romanized: Allāh, IPA: [ʔaɫ.ɫaːh] ) is the common Arabic word for God. In the English language, the word generally refers to God in Islam. Sufi whirling (or Sufi turning) (Turkish: Semazen borrowed from Persian Sama-zan, Sama, meaning listening, from Arabic, and zan, meaning doer, from Persian) is a form of physically active meditation which originated among certain Sufi groups, and which is still practiced by the Sufi Dervishes of the Mevlevi order and other orders such as the Rifa'i-Marufi. It is a customary meditation practice performed within the sema, or worship ceremony, through which dervishes (also called semazens, from Persian سماعزن) aim to reach the source of all perfection, ...

Allah (/ˈæl.lə, ˈɑːl.lə, əˈl.lɑː/; Arabic: الله, romanized: Allāh, IPA: [ʔaɫ.ɫaːh] ) is the common Arabic word for God. In the English language, the word generally refers to God in Islam. Sufi whirling (or Sufi turning) (Turkish: Semazen borrowed from Persian Sama-zan, Sama, meaning listening, from Arabic, and zan, meaning doer, from Persian) is a form of physically active meditation which originated among certain Sufi groups, and which is still practiced by the Sufi Dervishes of the Mevlevi order and other orders such as the Rifa'i-Marufi. It is a customary meditation practice performed within the sema, or worship ceremony, through which dervishes (also called semazens, from Persian سماعزن) aim to reach the source of all perfection, ...

https://xirtus.com

Waw The letter waw is copula and a mark for the voice in the Arabic language, symbolizing the connection of God and man. The composition is not incidentally made in a circular form, it is there to symbolize the ritual of dhikr, to remind one of the infinite repetition and the circular movement and rhythm of composition are an association to the ritual’s choreography, right to left, like a cosmic movement. This visual dhikr, which, upon seeing calligraphy, prevents one from oblivion and brings him back to the state of consciousness, is a symbolism of the movement of the cosmos and the planets, because, according to Sufi teaching, everything is in movement. In art, Muslims “developed a great love for the waw and used it from about 1700...