Persian Calligraphy Merch

Translation: How long is, the night of restless lovers (Saa'di Shirazi, Persian poet)

This verse, finely written in Persian artistic calligraphy means: Come on, friend! Let's not grieve for tomorrow! Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and like the letters are softly dancing around. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Translation: How long it seems, the night of restless lovers (Saa'di Shirazi, Persian poet)

Introducing our Persian Calligraphy T-shirt: where tradition meets modern flair. Rich colors, intricate script—capturing Persian elegance in every stroke.

Translation of this poem written in Persian calligraphy: Life is the beautiful scene for our art. Everybody sings their song and leave the scene. Good for those people will remember their songs.

Translation: Never heard a more appealing voice than love A memory that stays in this spinning galaxy (Hafez e Shirazi, Iran)

The design translation in English: I cannot live without the purest wine. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet. Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere.

Blue Praying Beeds on Persian Calligraphy (Nikon Coolpix P510)

A salutation, like the pleasant perfume of friendship To that man of the eye of light.

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. This calligraphic style is called “Siyah Mashq,” and can be loosely translated to “Ink Drills,” because the final product is a sheet so covered in writing, it looks as if a calligrapher were executing writing drills in black ink. In this style, a calligrapher treats words or poetry verses the same way a weaver treats thread. He/she writes verses or words repeatedly— overlaying them, binding them to one another, weaving and knitting them together. The purpose of this style of calligraphy is to meditatively transform letters, words, and phrases from mere language into objects that artists can then use to build aesthetically pleasing and spiri...

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

“Companionship was my fate” — Classic calligraphy of Malek M. Ghazvini, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) In one of Rumi’s most beautiful spiritual and love poems, he claims, “I long to see your face in a rose garden.” This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

If those who are advising us, advise us to abandon our love, they advise the impossible- Saadi. Classic calligraphy of Ali Akbar Golestaneh, a 19th Century Persian master of Shekasteh Nasta'liq calligraphy. In this collection titled "Classic Calligraphy," we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns ("Islimi"), sacred geometry patterns, and traditional paintings of flowers and birds ("Gol o Morgh").

We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com

love persian

Eshgh in Arabic and Persian means Love.