Persian Calligraphy Baseball T-Shirts

Translation: How long is, the night of restless lovers (Saa'di Shirazi, Persian poet)

This verse, finely written in Persian artistic calligraphy means: Come on, friend! Let's not grieve for tomorrow! Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and like the letters are softly dancing around. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Translation: How long it seems, the night of restless lovers (Saa'di Shirazi, Persian poet)

Introducing our Persian Calligraphy T-shirt: where tradition meets modern flair. Rich colors, intricate script—capturing Persian elegance in every stroke.

Translation of this poem written in Persian calligraphy: Life is the beautiful scene for our art. Everybody sings their song and leave the scene. Good for those people will remember their songs.

The design translation in English: I cannot live without the purest wine. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet. Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere.

Blue Praying Beeds on Persian Calligraphy (Nikon Coolpix P510)

A salutation, like the pleasant perfume of friendship To that man of the eye of light.

“Companionship was my fate” — Classic calligraphy of Malek M. Ghazvini, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com

Classic calligraphy of Mirza G. Esfahani, a 19th Century Persian master of Nasta‘liq calligraphy. This calligraphic style is called “Siyah Mashq,” and can be loosely translated to “Ink Drills,” because the final product is a sheet so covered in writing, it looks as if a calligrapher were executing writing drills in black ink. In this style, a calligrapher treats words or poetry verses the same way a weaver treats thread. He/she writes verses or words repeatedly— overlaying them, binding them to one another, weaving and knitting them together. The purpose of this style of calligraphy is to meditatively transform letters, words, and phrases from mere language into objects that artists can then use to build aesthetically pleasing and spiri...

love persian

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) In one of Rumi’s most beautiful spiritual and love poems, he claims, “I long to see your face in a rose garden.” This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

If those who are advising us, advise us to abandon our love, they advise the impossible- Saadi. Classic calligraphy of Ali Akbar Golestaneh, a 19th Century Persian master of Shekasteh Nasta'liq calligraphy. In this collection titled "Classic Calligraphy," we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns ("Islimi"), sacred geometry patterns, and traditional paintings of flowers and birds ("Gol o Morgh").

We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com

Grey and black circle pattern calligraphic shapes and letters mandala style

We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com

"توکلت بمغفره المهیمن، هو الغفور ذو الرحیم" “I trust the Protector— the Forgiving and Merciful one” — Classic calligraphy of a 19th-century Ottoman calligraphy master in the script of Thuluth Arabic In this collection titled “Classic Calligraphy,” we introduce to you some of the most sophisticated samples of Persian and Arabic calligraphy pieces by traditional masters. In many of these designs, calligraphy is combined with classical design elements such as floral patterns (“Islimi”), sacred geometry patterns, and traditional paintings of flowers and birds (“Gol o Morgh”). www.silkminds.com

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) In one of Rumi’s most beautiful spiritual and love poems, he claims, “I long to see your face in a rose garden.” This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

“Day and night, I wander restless with the thought of you.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) The spiritual aesthetic of the poem was created by combining Persian Nastaliq calligraphy with Persian geometric patterns. www.silkminds.com

Whether you're looking for a heartfelt gift for your dad's birthday or a meaningful gesture during Ramadan or Eid, this design is perfect. Its minimalist typography adds a modern touch, making it a versatile and timeless piece that will be cherished for years to come. Surprise your dad with this remarkable artwork and let him know how much he means to you. Order now and honor the love and guidance your dad has provided throughout your life

This is designed with a verse of poetry from Rumi* in Persian. It translates to, "In the orchard of rose garden I long to see your face". The composition is included spiritual elements of Persian geometric and floral patterns mostly used in tile art combined with Nastaliq Persian calligraphic script. * Rumi: Jalāl ad-Dīn Mawlawī was a 13th-century Persian poet, jurist, scholar, and Sufi mystic.

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics.

This t-shirt titled THE MAESTRO is representing Mohammad-Reza Shajarian (1940-2020), who was an internationally and critically acclaimed Persian classical singer, composer, and Ostad (maestro) of Persian music. Under the face, it's written "I Love Shajarian" in Farsi calligraphy.

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy and designs from Persian mosaic tiles. www.silkminds.com

"All Men and Women are parts of one, all share one essence, one soul." - Saadi Shirazi (One of the major Persian poets of the medieval period) This piece calls for unity and solidarity. It is designed with a verse of poetry from the world-renowned poet, Saadi Shirazi. The entrance of the United Nations Hall of Nations in New York is embellished with this verse. This design sets Persian Nastaliq calligraphy against the silhouette of a cityscape.

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

This piece is designed with a verse of poetry from Rumi in Persian. It translate to, "Day and night, I wander restless with the thought of you." The spiritual aesthetic of the poem was created by combining Persian Nastaliq calligraphy with Persian geometric patterns.

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

Taj Mahal design radiates with timeless elegance, featuring pristine whites and warm pastels against the backdrop of the Indian sky, capturing the exquisite beauty and architectural grandeur of this iconic symbol of love.

The arabesque series is inspired by Arabic calligraphy

The arabesque series is inspired by Arabic calligraphy