Masayoshi Takanaka Pins and Buttons

All Of Me Album Cover - Masayoshi Takanaka

The Rainbow Goblins Album Cover - Masayoshi Takanaka

Takanaka Album Cover - Masayoshi Takanaka

The album Seychelles is a musical gem crafted by the Japanese guitarist Masayoshi Takanaka. Released in 1976, it stands as a significant milestone in Takanaka's career, showcasing his fusion of jazz, funk, and pop elements with a tropical vibe.

Brazilian Skies is an album by Japanese guitarist Masayoshi Takanaka, released in 1978. Takanaka was known for his fusion of jazz, funk, and pop music, and this album exemplifies his distinctive style. The album was inspired by Takanaka's love for Brazilian music and culture, particularly the bossa nova and samba rhythms.

An Insatiable High is the third studio album by Japanese jazz fusion guitarist Masayoshi Takanaka, released in 1977. The album is considered a landmark work in the jazz fusion genre, showcasing Takanaka's exceptional guitar playing and the band's tight, dynamic performances. The album features seven tracks that blend elements of jazz, rock, and Japanese musical influences. Highlights include the title track "An Insatiable High", which features Takanaka's virtuosic guitar work, and the emotive "Midnight Rendezvous".

Masayoshi Takanaka's self-titled album, commonly known as "Takanaka," is a pivotal work in the realm of Japanese jazz-fusion. Released in 1977, it marked a significant moment in Takanaka's career as a guitarist and composer. The album features intricate guitar work, rhythmic grooves, and melodic compositions that captivated audiences both in Japan and internationally.

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Tomoko Aran Bootleg ((亜蘭知子 = Tomoko Aran))

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"Scenery" is Ryo Fukui's debut album, released in 1976. It is considered a landmark work in the jazz genre and has earned critical acclaim over the decades since its release. The album features six tracks, including standards like "It Could Happen to You", "I Want to Talk About You", and "Willow Weep for Me", as well as Fukui's original composition "Scenery". Fukui's playing on the album is praised for its freshness, delicacy, and technical virtuosity, drawing comparisons to jazz piano greats like McCoy Tyner and Bill Evans.