Maya Archeology Aztec Posters and Art Prints

Peten Itzá, lugares arqueológicos Maya, lugar de murmuyos, El gran Jaguar, pirámide Maya.

The Double-headed serpent is an Aztec sculpture kept at the British Museum. It has been proposed that the serpent was a symbol of rebirth because of its ability to shed its old skin and appear as a reborn snake. The feathered serpent god Quetzalcoatl was important to their religion, but other gods also had serpentine characteristics.

Starry night in an ancient Mayan temple, Temple of the Inscriptions, Oil painting in Van Gogh style, art by Ryan Rad

Kukulkan is the name of a Maya snake deity that also serves to designate historical persons. The depiction of the feathered serpent deity is present in other cultures of Mesoamerica. Kukulkan is closely related to the god Q'uq'umatz of the K'iche' Maya and to Quetzalcoatl of the Aztecs.

The calendar dates back to at least the 5th century BCE (Before Common Era) and is still in use in a few Mayan communities today. The Mayan calendar moves in cycles with the last cycle ending in December 2012. This has often been interpreted as the world will end on 21 December 2012, at 11:11 UTC.

She is represented as a woman wearing a skirt of writhing snakes and a necklace made of human hearts, hands, and skulls. Her feet and hands are adorned with claws and her breasts are depicted as hanging flaccid from pregnancy. Her face is formed by two facing serpents (after her head was cut off and the blood spurt forth from her neck in the form of two gigantic serpents), referring to the myth that she was sacrificed during the beginning of the present creation. According to Aztec legend, she was once magically impregnated by a ball of feathers that fell on her while she was sweeping a temple, and subsequently gave birth to the gods Quetzalcoatl and Xolotl. Her daughter Coyolxauhqui then rallied Coatlicue's four hundred other childre...

Pakal’s tomb has been the focus of attention of some ancient astronaut enthusiasts since its appearance in Erich von Däniken's 1968 best seller, Chariots of the Gods?. Von Däniken reproduced a drawing of the sarcophagus lid, incorrectly labeling it as being from "Copán" and comparing Pacal's pose to that of Project Mercury astronauts in the 1960s, interpreting drawings underneath him as rockets, and offering it as possible evidence of an extraterrestrial influence on the ancient Maya.19 In the center of that frame is a man sitting, bending forward. He has a mask on his nose, he uses his two hands to manipulate some controls, and the heel of his left foot is on a kind of pedal with different adjustments. The rear portion is separated from...

Tlaloc was an important god in Aztec religion; as supreme god of the rains, he was also by extension a god of fertility and of water. He was widely worshipped as a beneficent giver of life and sustenance, but he was also feared for his ability to send hail, thunder, and lightning, and for being the lord of the powerful element of water.