Persian Poem Posters and Art Prints

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy and designs from Persian mosaic tiles. www.silkminds.com

“My friend, for the morrow let us not worry This moment we have now, let us not hurry.” - Khayyam (an 11th-century Persian mathematician, astronomer, philosopher, and poet, widely considered to be one of the most influential thinkers of the Middle Ages.) The spiritual aesthetic of the poem was created by combining Persian Nastaliqu calligraphy on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a traditional Persian style called Abro-Baad which means Cloud & Wind. Based on the translation of Shahriar Shahriari. www.silkminds.com

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

The 110th Quatrain - Edmund Dulac for the Rubaiyat And when Yourself with silver Foot shall pass Among the Guests Star-scatter'd on the Grass, And in your joyous errand rench the spot Where I made One - turn down an empty Glass!

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) In one of Rumi’s most beautiful spiritual and love poems, he claims, “I long to see your face in a rose garden.” This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com

This is designed with a verse of poetry from Rumi* in Persian. It translates to, "In the orchard of rose garden I long to see your face". The composition is included spiritual elements of Persian geometric and floral patterns mostly used in tile art combined with Nastaliq Persian calligraphic script. * Rumi: Jalāl ad-Dīn Mawlawī was a 13th-century Persian poet, jurist, scholar, and Sufi mystic.

“I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics.

"All Men and Women are parts of one, all share one essence, one soul." - Saadi Shirazi (One of the major Persian poets of the medieval period) This piece calls for unity and solidarity. It is designed with a verse of poetry from the world-renowned poet, Saadi Shirazi. The entrance of the United Nations Hall of Nations in New York is embellished with this verse. This design sets Persian Nastaliq calligraphy against the silhouette of a cityscape.

“All Men and women are parts of one, all share one essence, one soul.” - Saadi Shirazi (One of the major Persian poets of the medieval period) The “Humans” Collection is designed with several verses of poetry from Saadi and Rumi in Persian expressing concepts related to social issues and humanity. The style of design is a combination of modern silhouette urban scenes and traditional elements such as Nastaliq Persian calligraphic script and human figures that are taken from old Persian miniatures, all conveying the intended social messages.

This piece is designed with a verse of poetry from Rumi in Persian. It translate to, "Day and night, I wander restless with the thought of you." The spiritual aesthetic of the poem was created by combining Persian Nastaliq calligraphy with Persian geometric patterns.

Introducing our Persian Calligraphy T-shirt: where tradition meets modern flair. Rich colors, intricate script—capturing Persian elegance in every stroke.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

Moonlight floods the whole sky from horizon to horizon; How much it can fill your room depends on its windows. - Rumi

“I long to see your face in a rose garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) In one of Rumi’s most beautiful spiritual and love poems, he claims, “I long to see your face in a rose garden.” This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com

“Day and night, I wander restless with the thought of you.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) The spiritual aesthetic of the poem was created by combining Persian Nastaliq calligraphy with Persian geometric patterns. www.silkminds.com

Your heart knows the way. Run in that direction! Rumi: 13th-century superstar poet, wise scholar, and mystic dude from Iran. His words have rocked the world, transcending borders and languages. Rock this tee and let the spirit of Rumi inspire your day!

Rumi: Do not feel lonely, the entire universe is inside you. Stop acting so small. You are the universe in ecstatic motion. Set your life on fire.

Quatrain V Irám indeed is gone with all its Rose, And Jamshýd's Sev'n-ring'd Cup where no one knows; But still the Vine her ancient Ruby yields, And still a Garden by the Water blows. Please see my shop for more of the "Rubaiyat of Omar Kayyim":https://www.redbubble.com/people/forgottenbeauty/shop/rubaiyat?asc=u.

Rumi: Do not feel lonely, the entire universe is inside you. Stop acting so small. You are the universe in ecstatic motion. Set your life on fire.

Quatrain XVI Think, in this batter'd Caravanserai Whose Doorways are alternate Night and Day, How Sultán after Sultán with his Pomp Abode his Hour or two, and went his way. Please see my shop for more of the "Rubaiyat of Omar Kayyim":https://www.redbubble.com/people/forgottenbeauty/shop/rubaiyat?asc=u.

Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, astronomer, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.

"All Men and Women are parts of one, all share one essence, one soul." - Saadi Shirazi (One of the major Persian poets of the medieval period) This piece calls for unity and solidarity. It is designed with a verse of poetry from the world-renowned poet, Saadi Shirazi. The entrance of the United Nations Hall of Nations in New York is embellished with this verse. This design sets Persian Nastaliq calligraphy against the silhouette of a cityscape.

Nowruz (Norouz) is the Iranian New Year. It is celebrated worldwide by various ethno-linguistic groups usually around March 21, the first day of spring. Nowruz has Iranian and Zoroastrian origins; Yet it has been celebrated in many other countries such as :Turkey, Afghanistan, Azerbaijan, Tajikistan, etc. Norouz or Persian new year is an ancient and the most important celebration of year for Iranians. Persian calligraphy is a delight to the sight and cherishes the eyes. It's noble and the letters are softly curved in each word, you won't find such a beauty everywhere. The poet of this poem, Omar Khayyam, was a Persian mathematician, philosopher, and poet. His poetry is better known in the West than any other non-Western poet.