Norse Pagan Symbol Tank Tops

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

Never lose you way with this symbol of protection and wayfaring.

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

A vegvísir (Icelandic 'sign post' or 'wayfinder') is an Icelandic magical stave intended to help the bearer find their way through rough weather. The symbol is attested in the Huld Manuscript, collected in Iceland by Geir Vigfusson in 1880 (but consisting of material of earlier origin). The symbol was frequently inscribed on seagoing vessels to insure their safe return home. It has also long played an important role among people who believe in magic powers, such as Norse Shamans. As a spiritual compass, this magical device guides your heart and steps to make the right choices in life. If you have lost yourself and your faith, this sacred symbol helps you find confidence again.

Germanic Norse mythology and culture inspired design. Valknut is the sign of god Odin, runic knot or Hrungnir heart. Great gift for Norse mythology and Viking witchcraft runes fans. Slain warriors triple knot norse symbol.

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

Here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

Here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

Here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

Yggdrasil, the Tree of Life, is not only one of the most prominent Viking symbols/Norse symbols but an important element of the Norse faith itself. According to Norse mythology, Yggdrasil is the Great Tree that connects the nine worlds/nine realms of the universe, namely Asgard, Midgard, Muspelheim, Jotunheim, Vanaheim, Niflheim, Alfheim, Svartalfheim, Helheim. That is why Yggdrasil is considered the symbol of the interconnectedness of all things in the universe.

Mjolnir, the Hammer of Thor is undeniably one of the most popular fictional objects in popular culture today. It has been helped in no small part to that position by the spectacular success of the Avengers movie series and especially the popularity of Thor, the Norse god who wields it. The Mjolnir/Mjölnir is actually part of the Norse mythology of the peoples of Scandinavia and tales of its creations and marvelous feats are about a thousand years old. The name, ‘Mjolnir’ is commonly accepted to mean ‘Lightning’ in the capacity as the hammer of the God of Thunder but the root word is more similar to the words ‘grind’ or ‘crush’.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

As one of the lesser-known Viking symbols, the Web of Wyrd is a symbol in Norse mythology that represents the interconnectedness of past, present and future. According to the myth, the Web of Wyrd was woven by the Norns/Nornir, the Shapers of Destiny in Norse mythology. The symbol comprised of nine staves contains all the runes thus symbolizing all ‘the possibilities’ the past, present and future brought and might bring. It is also called ‘Skuld’s net’ as Skuld was believed to be one of the Norns that wove the web.

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

Finally, here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.

The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their

According to the myth, Odin used his wit to convince the giantess Gunnlöð and bargained with her to have a sip of the mead for three days. Allowed only one sip per day, he used a whole horn for each time thus managing to drink all of the Mead of Poetry which helped him escape by turning into an eagle. Today, apart from identifying oneself as Norse, the Triple Horn of Odin is used as a symbol of wisdom and inspiration, poetic inspiration in particular.

Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.

A vegvísir (Icelandic 'sign post' or 'wayfinder') is an Icelandic magical stave intended to help the bearer find their way through rough weather. The symbol is attested in the Huld Manuscript, collected in Iceland by Geir Vigfusson in 1880 (but consisting of material of earlier origin). The symbol was frequently inscribed on seagoing vessels to insure their safe return home. It has also long played an important role among people who believe in magic powers, such as Norse Shamans. As a spiritual compass, this magical device guides your heart and steps to make the right choices in life. If you have lost yourself and your faith, this sacred symbol helps you find confidence again.