Warner Records Tapestries

Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was Ring-a-Ding-Ding! As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Martin and Sammy Davis, Jr.

Records under the Brunswick label were first produced by the Brunswick-Balke-Collender Company, a company based in Dubuque, Iowa which had been manufacturing products ranging from pianos to sporting equipment since 1845. The company first began producing phonographs in 1916, then began marketing their own line of records as an afterthought. These first Brunswick records used the vertical cut system like Edison Disc Records, and were not sold in large numbers. They were recorded in the United States but sold only in Canada.

Jubilee Records was an American independent record label, specializing in rhythm and blues and novelty records. It was founded in New York City in 1946 by Herb Abramson. His partner was Jerry Blaine. Blaine bought Abramson's half of the company in 1947, when Abramson went on to co-found Atlantic Records with Ahmet Ertegun. The company name was Jay-Gee Recording Company, a subsidiary of the Cosnat Corporation. Cosnat was a wholesale record distributor.

End Records was a record label founded in 1957 by George Goldner. In 1962 the label was acquired by Morris Levy and incorporated into Roulette Records. Among its more successful recording acts were the Flamingos, the Chantels, and Little Anthony and the Imperials; it also recorded singles by Marilyn Monroe and Wilt Chamberlain. In 1988 Roulette was purchased by Rhino Records, and Rhino in turn was sold in the 1990s to what is now the Warner Music Group, which currently owns the End Records archives.

Loma Records was an American subsidiary record label of Warner Bros. Records managed by Bob Krasnow, then later Russ Regan. Its name was derived from Eloma, a cleared copyright Warner owned. In March 1964, Warner Bros. president Mike Maitland announced the formation of Loma Records. Former promotional man and record producer Bob Krasnow was named the manager of the new label. Maitland explained the purpose of Loma was "an attempt to broaden singles coverage. There's so much product available through outside source, that we can afford to release it on Warner Bros., Reprise and now Loma." The first releases on the label were purchased masters.

Rising Tide Records was a record label started by Doug Morris, former head of Warner Music Group, and Daniel Glass, who became President. The label had success in breaking new artists, including the multi-platinum debut of Erykah Badu, Billie Myers and Lost Boyz. Recognizing the changing landscape of the industry, Glass strategically aligned Universal with such independent record labels as Kedar Entertainment, home to Erykah Badu, and Mojo Records, home to platinum artist Reel Big Fish and the Cherry Poppin' Daddies.

Pye International started in November 1958, mainly for licensed recordings from foreign labels for the UK market, including Chess, A&M, Kama Sutra, Colpix, Warner Bros., Buddah, 20th Century, and King. It also released recordings from British artist Labi Siffre which were produced outside the company. Shut down in 1979.