Independent Music Pillows

Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals.

In the late 70's / early 80's Idiot Dancers were riding high on the crest of the post-punk wave, constantly touring the UK and picking up consistent music press acclaim. One highly acclaimed John Peel session and one single release are their only studio recordings. Their logo, found all over London at the time via an extensive sticker and poster campaign, was designed by Al McDowell at Rocking Russian.

Frontline Records was a Christian rock record label, founded in 1986 by James Kempner in Santa Ana, California. The label focused primarily on modern rock, rap, dance-pop and hip-hop. The label closed in the early 1990s, and then resurfaced in 2010 to digitally re-release its music catalog (including related labels).

Pop Icons were a big UK indie band in the 80s on the live circuit with many glowing music press reviews. The band had a large following and were famed for being politically aware at a time when only Paul Weller and The Redskins were doing anything similar. "The perfect blend of aggression and melody" NME

Forward Music

Anticon was an independent record label based in Los Angeles, California. It was founded in 1998 by seven musicians and manager Baillie Parker. It was collectively owned among six musicians, co-founder Parker, and manager Shaun Koplow. The original musicians signed to Anticon were once referred to as the Anticon collective. Following the death of one of its founding members in 2018, the label dissolved.

You always do it your way: making art and breaking barriers!

16th Avenue Records was an independent record label specializing in country music. The first 16th Avenue label was founded in Toronto in May 1981 by Apple Productions Corporation principals Stan Campbell and Veronica Mataseje. In May 1984, 16th Avenue Records moved to Nashville, Tennessee. In 1987 the Opryland Music Group assumed the 16th Avenue Records name with Jerry Bradley as President. The label's first signee was Charley Pride, whose 1987 single "Have I Got Some Blues for You" was the label's first release.

Crown Records was a innovation of the California-based Bihari family (brothers Lester, Joe, Saul, Jules) who owned Modern, Flair and RPM , all great solid independent labels, as well as the budget label Custom, Kent, United Superior, and Riviera. It started in December, 1953 and continued until 1972, earning itself the reputation of the king of the junk record labels. Aside from endlessly reissuing and repackaging the legitimate Modern and RPM hits including the B.B. King material, what Crown had to offer was musical junk food on plastic plates .

Crimson Records was an American reissue independent record label founded by Jerry Greene in the early 1960s, and was a sister label of Lost Nite Records. Disc jockey Jerry Blavat was a co-owner of the label until the late 1960s. The label was known for releasing rare and hard-to-find doo-wop and R&B records. During its existence, Crimson released two LPs and approximately 18 singles. The most popular single released by the label was "Expressway to Your Heart" by The Soul Survivors.

INDIE MUSIC STUDIO

Jhoni The Voice X Palms and Wavs Ent Tee

Hey Man, These Aint Talls

Jubilee Records was an American independent record label, specializing in rhythm and blues and novelty records. It was founded in New York City in 1946 by Herb Abramson. His partner was Jerry Blaine. Blaine bought Abramson's half of the company in 1947, when Abramson went on to co-found Atlantic Records with Ahmet Ertegun. The company name was Jay-Gee Recording Company, a subsidiary of the Cosnat Corporation. Cosnat was a wholesale record distributor.

nicola sturgeon music

We Do Fart. Yeah, remember that.

Hurray For The Riff Raff brushed abstract background

INDIE STUDIO

Starday Records was an American record label producing traditional country music during the 1950s and 1960s. The label began in 1952 in Beaumont, Texas, when local businessmen Jack Starnes (Lefty Frizzell's manager) and Houston record distributor Harold W. Daily (better known as "Pappy") decided to form a record label. The Starday name is a combination of Starnes' and Daily's last names. After four releases, former Four Star vice president Don Pierce was brought into the fold and the three men founded the Starday Recording and Publishing Company.

Vintage record label

INDIE MUSIC STUDIO

Blue Goose Records was an American independent record label set up in the early 1970s by Nick Perls. While on Blue Goose's sister label, Yazoo Records, Perls compiled rare 78 rpm recordings from the 1920s by Charley Patton, Blind Willie McTell, Memphis Jug Band, Blind Blake, and Blind Lemon Jefferson. On Blue Goose Records he recorded not only 'rediscovered' black blues artists like Sam Chatmon, Son House, Yank Rachell, Shirley Griffith and Thomas Shaw, but also younger blues and jazz performers, including Larry Johnson, Jo Ann Kelly, Woody Mann, John Lewis, Roy Book Binder, R. Crumb & His Cheap Suit Serenaders, Rory Block, Roger Hubbard, Alan Seidler, and Brett Marvin and the Thunderbolts' member Graham Hine.

Verve Records Legend

A powerful track with a strong universal message, 'We Want Peace' by UK dance/rock producer Adventures in Noise is always relevant. This is the sleeve artwork from the single release on Corsair Records.

Dunwich Records was an independent American record label started by Bill Traut, Eddie Higgins and George Badonsky in Chicago in 1965. Dunwich was also a production company which licensed recordings to other labels, including Atlantic, Atco, Columbia, Mercury and SGC. The label was primarily known for the release of singles from the emerging Chicago rock scene in the 1960s. Only two artists, the Shadows of Knight and Amanda Ambrose, released albums on the label.

Duke Records was an American record label, started in Memphis, Tennessee, in 1952 by David James Mattis (WDIA program director and DJ) and Bill Fitzgerald, owners of Tri-State Recording Company. Their first release was Roscoe Gordon singing "Hey Fat Girl", issued on Duke R-1, later amended to R-101. After forming a partnership with Mattis in the summer of 1952, Don Robey (founder of Houston's Peacock Records) took control of Duke. Both labels then headquartered at his Bronze Peacock club at 2809 Erastus Street in Houston, focusing on R&B and gospel music. Robey started a subsidiary, Back Beat Records, in 1957 and this later specialised in soul music, along with Sure Shot Records, whilst Peacock specialised in gospel recordings.

Prelude Records was a New York–based independent record label that was active from 1976 to 1986. At one time, François Kevorkian held an A&R position at Prelude.[1] The label's owner was Marvin Schlachter.

Lotuspool Records is dedicated to releasing exceptional music, regardless of its appeal.

You always do it your way: making art and breaking barriers!

Cover art for a song I wrote, Demo available on YouTube

We Do Fart. Yeah, remember that.

We Do Fart. Yeah, remember that.