Film Cave

Carnival of Souls is a 1962 American independent horror film written, produced, and directed by Herk Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. Filmed in Lawrence, Kansas and Salt Lake City, Carnival of Souls was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. It was Harvey's only feature film.

The Brain That Wouldn't Die (also known as The Head That Wouldn't Die or The Brain That Couldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, when it was released under its new title as a double feature with Invasion of the Star Creatures. The film focuses upon a mad doctor who develops a means to keep human body parts alive. He keeps his fiancée's severed head alive for days, and also keeps a lumbering, malformed brute (one of his earlier failed experiments) imprisoned in a closet.

Beginning of the End is a 1957 independently made American black-and-white science fiction giant insects film, produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. The film's storyline concerns an agricultural scientist (Graves) who has successfully grown gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts (the swarming phase of short-horned grasshoppers), which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects and is considered to be one of the most poorly written and acted science fiction films of the 1950s.

Balaoo is a silent short film of 1913 directed by Victorin-Hippolyte Jasset . It was shot in France , inspired by the eponymous story of the French writer Gaston Leroux , known for writing The Phantom of the Opera .

Lost Planet Airmen is a 1951 black-and-white American science fiction film produced and distributed by Republic Pictures, which is actually the feature film condensation of their 1949 12-chapter serial, King of the Rocket Men. Lost Planet Airmen was directed by Fred C. Brannon and written by Royal K. Cole and William Lively. The lead actors in Lost Planet Airmen were Tristram Coffin and Mae Clark.

Lost Continent is a 1951 American black-and-white science-fiction film drama from Lippert Pictures, produced by Jack Leewood, Robert L. Lippert, and Sigmund Neufeld, directed by Sam Newfield (Sigmund Neufeld's brother), that stars Cesar Romero, Hillary Brooke, Whit Bissell, Sid Melton, Hugh Beaumont and John Hoyt. An expedition is sent to the South Pacific to search for a missing atomic-powered rocket in order to retrieve the vital scientific data recorded aboard. On an uncharted island they discover more than their rocket, now crashed atop a mysterious plateau, they find a lost jungle world populated by prehistoric dinosaurs.

When Dinosaurs Ruled the Earth is a 1970 British prehistoric monster film written and directed by Val Guest and starring Victoria Vetri. It was produced by Aida Young. The production company was Hammer Films. The third in Hammer's "Cave Girl" series, preceded by One Million Years B.C. (1966) and Slave Girls (1967), it was followed by Creatures the World Forgot (1971).

The Lost World is a 1925 American silent fantasy monster adventure film adapted from Arthur Conan Doyle's 1912 novel of the same name. The film was produced and distributed by First National Pictures, a major Hollywood studio at the time, and stars Wallace Beery as Professor Challenger. It was directed by Harry O. Hoyt and featured pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on the original King Kong. Doyle appears in a frontispiece to the film, absent from some extant prints. In 1998, The Lost World was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.[

King Kong is a 1933 American pre-Code monster adventure film directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay by James Ashmore Creelman and Ruth Rose was developed from an idea conceived by Cooper and Edgar Wallace. It stars Fay Wray, Bruce Cabot and Robert Armstrong, and opened in New York City on March 2, 1933, to rave reviews. It has been ranked by Rotten Tomatoes as the fourth greatest horror film of all time and the thirty-third greatest film of all time. The film portrays the story of a huge, gorilla-like creature dubbed Kong who perishes in an attempt to possess a beautiful young woman (Wray). King Kong contains stop-motion animation by Willis O'Brien and a music score by Max Steiner.

Killers from Space (a.k.a. The Man Who Saved the Earth) is a 1954 independently made American black-and-white science fiction film, produced and directed by W. Lee Wilder (brother of Billy Wilder), that stars Peter Graves, Barbara Bestar, Frank Gerstle, James Seay, and Steve Pendleton. The film originated as a commissioned screenplay from Wilder's son Myles Wilder and their regular collaborator William Raynor

The Land That Time Forgot is a 1975 British-American fantasy/adventure film based upon the 1918 novel The Land That Time Forgot by Edgar Rice Burroughs. The screenplay was written by Michael Moorcock and James Cawthorn and directed by Kevin Connor. The cast included Doug McClure, John McEnery, Keith Barron, Susan Penhaligon, Anthony Ainley and Declan Mulholland.

King Dinosaur is a 1955 science fiction film starring William Bryant and Wanda Curtis with narration by Marvin Miller. The film was featured on season 2 of Mystery Science Theater 3000.

The Fall of the House of Usher (1928) is a short silent horror film adaptation of the short story "The Fall of the House of Usher" by Edgar Allan Poe. The movie was co-directed by James Sibley Watson and Melville Webber, and starred Herbert Stern, Hildegarde Watson, and Melville Webber (who also wrote the screenplay). It tells the story of a brother and sister who live under a family curse. An avant-garde experimental film running only 13 minutes, the visual element predominates, including shots through prisms to create weird optical distortion. There is no dialogue in the film, though one sequence features letters written in the air moving across the screen.

Strangler of the Swamp is a 1946 American horror film, produced and distributed by Producers Releasing Corporation. It was written and directed by Frank Wisbar, and stars Rosemary LaPlanche, Robert Barrat and Blake Edwards. It is a remake of Wisbar's earlier German film Fährmann Maria (1936).

The Ape is a 1940 American horror film directed and produced by William Nigh, co-written by Curt Siodmak, and starring Boris Karloff. Produced and distributed by Monogram Pictures, it was the last film in Karloff's nine-picture contract with Monogram.

The Amazing Transparent Man is a 1960 science fiction film starring Marguerite Chapman. It is an American B-movie which follows the story of an insane ex–U.S. Army major who uses an escaped criminal to steal materials to improve the invisibility machine his scientist prisoner made. It was one of two sci-fi films shot back-to-back in Dallas, Texas by director Edgar G. Ulmer (the other being Beyond the Time Barrier, also released in that same year). The combined filming schedule for both films was only two weeks. The film was later featured in an episode of Mystery Science Theater 3000.

Spooks Run Wild is a 1941 American horror comedy film and the seventh film in the East Side Kids series, starring Bela Lugosi, Leo Gorcey, Huntz Hall, and Bobby Jordan. Released in 1941, it was directed by Phil Rosen, in his first and only outing in the series, and produced by Sam Katzman (under the company name Banner Pictures). It is based on an original script by Carl Foreman and Charles R. Marion.

Spooks Run Wild is a 1941 American horror comedy film and the seventh film in the East Side Kids series, starring Bela Lugosi, Leo Gorcey, Huntz Hall, and Bobby Jordan. Released in 1941, it was directed by Phil Rosen, in his first and only outing in the series, and produced by Sam Katzman (under the company name Banner Pictures). It is based on an original script by Carl Foreman and Charles R. Marion.

Spooks Run Wild is a 1941 American horror comedy film and the seventh film in the East Side Kids series, starring Bela Lugosi, Leo Gorcey, Huntz Hall, and Bobby Jordan. Released in 1941, it was directed by Phil Rosen, in his first and only outing in the series, and produced by Sam Katzman (under the company name Banner Pictures). It is based on an original script by Carl Foreman and Charles R. Marion.

Spooks Run Wild is a 1941 American horror comedy film and the seventh film in the East Side Kids series, starring Bela Lugosi, Leo Gorcey, Huntz Hall, and Bobby Jordan. Released in 1941, it was directed by Phil Rosen, in his first and only outing in the series, and produced by Sam Katzman (under the company name Banner Pictures). It is based on an original script by Carl Foreman and Charles R. Marion.

White Zombie is a 1932 American pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on The Magic Island by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst and George Burr MacAnnan.[6][7] Large portions of White Zombie were shot on the Universal Studios lot, borrowing many props and scenery from other horror films of the era.

White Zombie is a 1932 American pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on The Magic Island by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst and George Burr MacAnnan.[6][7] Large portions of White Zombie were shot on the Universal Studios lot, borrowing many props and scenery from other horror films of the era.

White Zombie is a 1932 American pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on The Magic Island by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst and George Burr MacAnnan.[6][7] Large portions of White Zombie were shot on the Universal Studios lot, borrowing many props and scenery from other horror films of the era.

The Ape is a 1940 American horror film directed and produced by William Nigh, co-written by Curt Siodmak, and starring Boris Karloff. Produced and distributed by Monogram Pictures, it was the last film in Karloff's nine-picture contract with Monogram.

White Zombie is a 1932 American pre-Code horror film independently produced by Edward Halperin and directed by Victor Halperin. The screenplay by Garnett Weston, based on The Magic Island by William Seabrook, is about a young woman's transformation into a zombie at the hands of an evil voodoo master. Bela Lugosi stars as the zombie master "Murder" Legendre, with Madge Bellamy appearing as his victim. Other cast members include Joseph Cawthorn, Robert W. Frazer, John Harron, Brandon Hurst and George Burr MacAnnan. Large portions of White Zombie were shot on the Universal Studios lot, borrowing many props and scenery from other horror films of the era. The film opened in New York to negative reception, with reviewers criticizing the fi

The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye.

The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye.

The Brain That Wouldn't Die (also known as The Head That Wouldn't Die or The Brain That Couldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton.[1] The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, when it was released under its new title as a double feature with Invasion of the Star Creatures.[2][3] The film focuses upon a mad doctor who develops a means to keep human body parts alive. He keeps his fiancée's severed head alive for days, and also keeps a lumbering, malformed brute (one of his earlier failed experiments) imprisoned in a closet. The specific plot device of a mad doctor who discovers a way

The Amazing Transparent Man is a 1960 science fiction film starring Marguerite Chapman. It is an American B-movie which follows the story of an insane ex–U.S. Army major who uses an escaped criminal to steal materials to improve the invisibility machine his scientist prisoner made. It was one of two sci-fi films shot back-to-back in Dallas, Texas by director Edgar G. Ulmer (the other being Beyond the Time Barrier, also released in that same year). The combined filming schedule for both films was only two weeks. The film was later featured in an episode of Mystery Science Theater 3000.

The Amazing Transparent Man is a 1960 science fiction film starring Marguerite Chapman. It is an American B-movie which follows the story of an insane ex–U.S. Army major who uses an escaped criminal to steal materials to improve the invisibility machine his scientist prisoner made. It was one of two sci-fi films shot back-to-back in Dallas, Texas by director Edgar G. Ulmer (the other being Beyond the Time Barrier, also released in that same year). The combined filming schedule for both films was only two weeks. The film was later featured in an episode of Mystery Science Theater 3000.

Tormented is a 1960 American horror film directed and produced by Bert I. Gordon for Allied Artists Pictures Corporation, and starring Richard Carlson. The film was featured in the fourth season of the television series Mystery Science Theater 3000 (MST3K).

The Thing that Couldn't Die is a 1958 American black-and-white horror film produced and directed by Will Cowan and starring William Reynolds, Andra Martin, Jeffrey Stone, and Carolyn Kearney. Based on an original screenplay by David Duncan for Universal Pictures, it was released in the United States on a double bill in May 1958 with the British Hammer Films classic Horror of Dracula.

The Death Kiss is a 1932 American pre-Code mystery film starring David Manners as a crusading studio writer, Adrienne Ames as an actress, and Bela Lugosi as a studio manager. The thriller features three leading players from the previous year's Dracula (Lugosi, Manners, and Edward Van Sloan), and was the first film directed by Edwin L. Marin. The film was produced by KBS Productions at Tiffany Pictures and released by Sono Art-World Wide Pictures. The film is currently in the public domain.

The Ape is a 1940 American horror film directed and produced by William Nigh, co-written by Curt Siodmak, and starring Boris Karloff. Produced and distributed by Monogram Pictures, it was the last film in Karloff's nine-picture contract with Monogram.

The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel Le Fantôme de l'Opéra, directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The film was released on November 25, 1925.

Shanghaied is a 1915 American comedy silent film made by Essanay Studios starring Charlie Chaplin.