Edgar Invoker

I have always been interested in visual metaphors working at the level of the unconscious. Whether an invisible image element can be the main one. The difference between what we see and what we feel when we see.

This work is part of the series " Error" Abstract compositions made with a spatula and airbrush inherit the stylistic elements of digital media.

(bityy sektor), 2020, acrylic/canvas/monotype/airbrush/masking tape/brush, 75*55 cm. There are sufficient explanations for the phenomena of failure and memory functioning. One way or another, they require the adoption of Self-concept. But does this Self have an address. As far as its borders are stable? If a copy of copy our memory is enough for us to feel like Self, we also successfully integrate the memories of what could not be with us. Errors in the memories and the loss of entire blocks of events as side effects in an attempt to create a continuity of memory Self have in relation to space and time... I was always interested in these broken sectors of memory. Lost associations. Memories without a source.

This design is a reproduction of my original painting: Temporarily Unnamed 2, 2018, acrylic\canvas 130*90cm. ( a series #temporarily_unnamed )

This design is a reproduction of my original painting: Temporarily Unnamed 4, 2017, acrylic\canvas\airbrush 130*90cm. ( a series #temporarily_unnamed ) This new series of works in which I continue to refer to the subject of "pattern recognition" "symbolic memory", "an observer as the creator of the observed" ... The main element of the work is the image of the head and its fusion with abstract geometric shapes