P. Ballantine and Sons Brewing Company was an American brewery founded in 1840, making Ballantine one of the oldest brands of beer in the United States. At its peak, it was the 3rd largest brewer in the US. The company was founded in 1840 in Newark, New Jersey, by Peter Ballantine (1791–1883).
The Storz Brewing Company was located at 1807 North 16th Street in North Omaha, Nebraska. Storz Brewing began in 1876 by Gottlieb Storz and was owned by the Storz family until 1966; the brewery ceased operations in 1972. Their beers won several prizes in international competitions, and Storz was the top selling brand in Nebraska starting in World War II. Storz was one of the "Big 4" brewers located in Omaha, which also included the Krug, Willow Springs and Metz breweries.
Originally Consumers' Brewing Company, Harvard Brewing Company was formed in 1898 in Lowell Massachusetts. The passage of the Eighteenth Amendment in 1919, declaring the sale of alcoholic drinks to be illegal, sent the brewery scurrying to recast itself as a viable business. The name changed to the Harvard Company, the brewery began offering non-intoxicating beverages such as root beer, ginger ale, grape juice and "near-beer." After prohibition the company thrived until anti-German sentiment led to federal takeover of the company which was ultimately sold to Hampden Brewing in 1956.
Auto City Brewing Co. opened in 1933 and closed in 1942. This brewery was active during Prohibition which makes it an oddity. Some breweries were able to stay in business by producing "near-beer" which was very low alcohol, and some switched over to bottling sodas or other beverages.
Made by the Ruppert Brewery, Knickerbocker was the official beer of the New York Giants, a bit ironic given that Jacob Ruppert, a.k.a. “The Colonel,” was the owner of the New York Yankees during the heyday of Ruth and Gehrig. The brewery was located at 92nd and Second, but it closed in the late 1960s. The Knickerbocker brand was acquired by another brewery, but discontinued during the 1970s.
Fuhrmann & Schmidt Brewing Company was formed in 1906 and was located at Commerce and Washington Streets in Shamokin, Pennsylvania. Fuhrmann & Schmidt was the successor company to the Eagle Brewing Company (1854 – 1878), the M. Markel & Company (1878 – 1893) and Phillip H Fuhrmann (1893 – 1906).
The brewery produced F&S Beer and F&S Ale from 1906 until the brewery closed in 1920 for prohibition. The brewery reopened in 1933 and produced F&S Beer and F&S Ale until the brewery closed in 1975.
Bartels Brewing Company was founded in Edwardsville, Pennsylvania in 1889. Bartels was a traditional darker beer and the label featured "The Professor", who had dispensed words of wisdom in Bartels advertising.
Esslinger's was a brewery in Philadelphia. It was established by George Esslinger in 1868. He moved to a large new brewery plant designed by Adam C. Wagner. The company closed during prohibition. It was the first to introduce cans to the Philly market and later implemented a successful quiz game campaign on cans. The brand passed on to a few owners before finally ending. The brewery plant is across from Reading Viaduct.
After prohibition, Koelle & Co. built a new plant for the brewery. It was one of only four breweries to survive in Philadelphia into the 1950s.
Tags:
retro, ale, beer, its always sunny in philadelphia, lager
Great in the underworld, he has the shape of a unicorn, but when he is evoked, he shows himself under a human figure. He gives concerts if you order them.
The Drolatic Dreams of Pantagruel (1565)
In 1565, French publisher Richard Breton released The Drolatic Dreams of Pantagruel. It was intended to be an extension of The Life of Gargantua and of Pantagruel, by François Rabelais. Rabelais, a renowned French author, had passed away twelve years earlier. Breton looked to be capitalizing off of his popularity.
The book offers a short preface, in which Breton tells readers that “open intellects will find several good inventions in it for preparing extravagances, organizing masquerades, or to apply them as the occasion requires.”
Tags:
dreams, french art, totally bizarre, beast, spooky
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
Death in the form of a skeleton with an arrow quiver on its back and a bow in its hand. Print from a series with representations of skeletons by printmakers Hendrick Hondius II, 1625
The first person to print and illustrate the dance of death from the cemetery in St. Innocents, Paris, was Guyot Marchant. This first edition only contains the author/authority in the introduction, the 30 men, and the dead king and the authority at the end. It wasn't before the next year that Guyot Marchant added the four musicians, 10 men more, a series of women and Latin quotes over each woodcut.
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1538, Hans Holbein the Younger published his Dance of Death, a work of art that redefined its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the dead, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
In 1733, William Chesleden published Osteographia, a grand folio edition depicting human and animal bones, featuring beautiful copperplate images, including playful skeletons, vignettes, and initials. He depicts all the bones of the human body separately in their actual life size "and again reduced in order to shew them united to one another."
In 1538, Hans Holbein the Younger publishes his Dance of death, a work of art that will redefine its own genre. In Holbein's work, Death is still very aggressive; however, it does not dance with the deads anymore, but intervenes directly in scenes of everyday life. Paris' dance of death had dominated the genre in the late Middle-Ages; from 1538 on, the work of Holbein became the ultimate reference.
Karl Alexander Wilke (born July 16, 1879 in Leipzig , † February 27, 1954 in Vienna ) was a German-Austrian painter, illustrator and stage designer. Known best for his illustrations in the German comic magazine, Die Muskete.
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