English Landscape Pins and Buttons

Keeper's Cottage, Hyde Park by Thomas Hearne, circa 1795. Watercolor and graphite.

Chateau Navarre, near Evreux, Normandy by John Sell Cotman, circa 1830. Watercolor over graphite.

A single tree, on a frosty morning. Seen in Witley Court, England. Photo taken with a Canon EOS 20D. The vast and rambling remains of the palatial 19th century mansion are surrounded by magnificent landscaped gardens, which still contain huge stone fountains. The largest, representing Perseus and Andromeda - now restored - was described as making the 'noise of an express train' when fired. Before 1846, when William Humble Ward (later first Earl of Dudley) inherited Witley Court, the land surrounding the house was laid out in the 18th-century English landscape style. As part of Ward's transformation of the estate, he called in the leading landscape designer of the time, William Andrews Nesfield, whose skills in designing intricate a...

The Turn of the Road by John Atkinson Grimshaw, 1883. Oil on canvas.

A Moated Yorkshire Home by John Atkinson Grimshaw, 1879. Oil on canvas.

Girl On A Coastal Path by Edmund Leighton, 1893. Oil on canvas.

Eton College from Datchet Road by Thomas Girtin, 1790. Watercolor With Pen And Gray Ink Over Graphite With Gray Wash.

Beach Scene - Sunrise by David Cox, circa 1820. Watercolor.

The Lecture House, Watford by Thomas Hearne, 1807. Watercolor and graphite.

Cottage in Herefordshire by David Cox. Graphite over red chalk.

A Bridge near Salisbury Court Perhaps Milford Bridge by John Constable, 1829. Graphite And Gray Wash.

An Autumn Lane by John Atkinson Grimshaw, 1883. Oil on canvas.

An Ancient Barn at Shoreham by Samuel Palmer. Pen And Black Ink, And Gray And Brown Washes Over Graphite.

A Church in the Trees by John Constable, circa 1800. Oil on canvas.

Half Timbered and Thatched Shack by Thomas Hearne, 1798. Watercolor.

The Queen's Highway by John Atkinson Grimshaw. Oil on canvas.

Kensington Gardens by John Martin, 1815. Oil on canvas.

Hyde Park by John Martin, circa 1815. Oil on canvas.

In The Golden Glow Of Autumn by John Atkinson Grimshaw, 1884. Oil on canvas.

A View from Hampstead Heath by John Constable, circa 1825. Oil on canvas.

Goodrich Castle on the Wye by Thomas Hearne, circa 1785. Watercolor, Pen And Black Ink, Gouache, And Graphite.

The Tryst by John Atkinson Grimshaw, 1886. Oil on canvas.

Roundhay Lake by John Atkinson Grimshaw, 1877. Oil on canvas.

Stapleton Park, Near Pontefract by John Atkinson Grimshaw, 1877. Oil on canvas.

Sheep Grazing by John Linnell, 1835. Oil on canvas.

After The Shower by John Atkinson Grimshaw. Oil on canvas.

A Shepherd in a Landscape looking across Dedham Vale towards Langham by John Constable, circa 1811. Oil on canvas.

A Landscape in Snowdonia with a Tree in the Foreground by John Linnell, 1813. Pencil and watercolor.

Landscape by Thomas Hearne. Watercolor and gray wash over graphite.

Original 11x15in water color pen & ink on 140lbs paper. Referenced a vintage photo for a face book group painting challenge. A village in old English country side.

A View on the Orwell by John Constable. Watercolor.

Belvoir Castle, Rutland by William Daniell. Watercolor And Graphite, With Scraping.

The Rookery by John Atkinson Grimshaw, 1883. Oil on canvas.

A Mountain Scene, Val d'Aosta by J.M.W. Turner, circa 1845. Oil on canvas.

London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side) by William Daniell, 1804. Aquatint, hand-colored.

Althorp House, Northamptonshire by William Daniell. Watercolor and graphite.