English Landscape Pins and Buttons

Hanson Toot, View in Dovedale by John Linnell, 1815, reworked, 1846, 1854, and 1870. Oil on canvas.

A Moonlit Landscape by John Atkinson Grimshaw. Oil on canvas.

A River Landscape, Sunset by John Linnell, circa 1860. Oil on canvas.

Landscape with Figures by John Linnell, 1816. Oil on canvas.

This stunning painting captures the timeless beauty of an English village in a bold and vibrant Fauvism style. The striking use of bold, saturated colors creates a sense of energy and joy, evoking the playful spirit of the Fauvist movement.

A Journey Through the Landscape of English Words

Denbigh Castle by Thomas Girtin, circa 1793. Watercolor With Pen In Black Ink Over Graphite.

Ambleside by Francis Towne, 1786. Watercolor And Brown And Gray Ink Over Graphite.

New Radnor by Francis Towne. Watercolor And Gray Ink Over Graphite.

Evening Glow by John Atkinson Grimshaw, circa 1884. Oil on canvas.

A Summer Day by John Sell Cotman, 1827-1837. Watercolor and graphite.

A Sandpit by Paul Sandby. Watercolor, Pen And Brown Ink And Graphite.

Oakhampton Castle by Francis Towne, 1772. Gray Wash And Black Ink.

A Pastoral Scene by Samuel Palmer, 1835. Watercolor.

Carlisle Cathedral, Cumberland, from the South-West by Thomas Girtin, circa 1795. Watercolor With Pen In Black Ink Over Graphite.

A Cottage among Trees, Shoreham by Samuel Palmer. Pen And Black Ink With Gray Wash.

Rochester, Kent- from the North by Thomas Girtin, circa 1790. Watercolor With Pen And Black Ink Over Graphite.

Pluscardine Abbey, Elgin by Thomas Girtin, circa 1793. Watercolor With Pen In Brown And Black Ink With Rubbing, Over Graphite.

Exmouth, Devon by William Daniell, circa 1813. Brown Wash With Gouache Over Graphite.

Coast Scene at Cullercoats near Whitley Bay by John Linnell, circa 1834. Oil on canvas.

An Encampment in St. James Park by Paul Sandby, circa 1780. Watercolor.

Andernach by J.M.W. Turner, 1817. Watercolor.

Derwent Water, with Skiddaw in the Distance by Joseph Wright, 1795-1796. Oil on canvas.

Druidical Stone at Strather, near Barvas, Isle of Lewis by William Daniell. Watercolor over graphite.

The Sand Pits, Hampstead Heath by John Linnell, 1834. Oil on panel.

Farmhouse and Buildings by a Stream by Thomas Hearne. Gray Wash, Pen And Black Ink, Pen And Gray Ink, And Graphite.

Autumn Sowing of the Grain by J.M.W. Turner, circa 1794. Watercolor.

On the East Lyn, North Devon by William Henry Millais, circa 1865. Watercolor and gouache.

The Wharfe Valley, with Barden Tower Beyond by John Atkinson Grimshaw, 1870s. Oil on canvas.

Crossing Lancaster Sands by David Cox, 1830s. Watercolor.

A Shepherd and his Flock under the Moon and Stars by Samuel Palmer, circa 1827. Pen And Brown Ink With Brown And Gray Washes Heightened With White Gouache.

On the Dee by Francis Towne. Watercolor And Black Ink Over Graphite.

A Page from a Cornish Sketchbook - Cornwall 32 by Samuel Palmer. Graphite.

Autumn Gold by John Atkinson Grimshaw, 1880. Oil on canvas.

Devil's Bridge by Francis Towne, 1810. Watercolor And Black Ink Over Graphite.

The Trees and River in the Park at Coleorton Hall, Leicestershire by Thomas Hearne. Watercolor.