English Landscape Pins and Buttons

Derwent Water, with Skiddaw in the Distance by Joseph Wright, 1795-1796. Oil on canvas.

Druidical Stone at Strather, near Barvas, Isle of Lewis by William Daniell. Watercolor over graphite.

The Sand Pits, Hampstead Heath by John Linnell, 1834. Oil on panel.

Farmhouse and Buildings by a Stream by Thomas Hearne. Gray Wash, Pen And Black Ink, Pen And Gray Ink, And Graphite.

Autumn Sowing of the Grain by J.M.W. Turner, circa 1794. Watercolor.

On the East Lyn, North Devon by William Henry Millais, circa 1865. Watercolor and gouache.

The Wharfe Valley, with Barden Tower Beyond by John Atkinson Grimshaw, 1870s. Oil on canvas.

Crossing Lancaster Sands by David Cox, 1830s. Watercolor.

A Shepherd and his Flock under the Moon and Stars by Samuel Palmer, circa 1827. Pen And Brown Ink With Brown And Gray Washes Heightened With White Gouache.

Memories of a beautiful summer day in England.

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill by Paul Sandby, 1802. Gouache And Watercolor Over Graphite.

William Turner's depiction of the burning of the House of Lords and the House of Commons, painted 1835. Oil painting looking great on prints, posters, tops. Perfect for vintage artwork lovers and art history students.

New Radnor by Francis Towne. Watercolor And Gray Ink Over Graphite.

A print of an original watercolour & ink painting from the 1980's by Colin Fifield. Unique in design and with a soft pastel sky and sands, this is a perfect gift for someone who loves the Cornwall, natural coastlines or someone who loves abstract beach paintings.

Looking across beautiful countryside to Colmers Hill, on which stands Pine trees. HDR photography taken in Symondsbury, Dorset England

Denbigh Castle by Thomas Girtin, circa 1793. Watercolor With Pen In Black Ink Over Graphite.

Ambleside by Francis Towne, 1786. Watercolor And Brown And Gray Ink Over Graphite.

On the Dee by Francis Towne. Watercolor And Black Ink Over Graphite.

A Page from a Cornish Sketchbook - Cornwall 32 by Samuel Palmer. Graphite.

Autumn Gold by John Atkinson Grimshaw, 1880. Oil on canvas.

Devil's Bridge by Francis Towne, 1810. Watercolor And Black Ink Over Graphite.

The Trees and River in the Park at Coleorton Hall, Leicestershire by Thomas Hearne. Watercolor.

At Hailsham, Sussex - A Storm Approaching by Samuel Palmer, 1821. Watercolor and graphite.

Conway Castle by Samuel Palmer, 1836. Graphite, Watercolor, Gouache And Pen And Brown Ink.

A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills by Paul Sandby, 1794. Gouache, Watercolor And Graphite.

Walton-on-the-Naze by Ford Madox Brown, 1860. Oil on canvas.

At The Park Gate by John Atkinson Grimshaw, 1878. Oil on canvas.

Perfect for narrowboat fans and canal boat owners. Also makes a cool canal boat gift at Christmas and birthdays.

Alnwick Castle, Northumberland, framed by the trees and the River Aln on a bright warn summers day

Looking across the village of Corfe (Dorset, England) and beyond to open countryside. Black and white photography

Beautiful piece inspired by the Savannah in Africa. A nightsky backdrop in hues of blue against a silhouette of an African tree and deer. Originally painted in acrylic paint on canvas

Beautiful piece inspired by the Savannah in Africa. A dusky sky backdrop in hues of orange against a silhouette of an African tree and deer

Looking up to tall windswept pine trees which stand on top of Colmers Hill in Symondsbury, Dorset, England Black and white photogprahy.

View of the Lal Darwaza on the Matwa Road, Between the Purana Qila and Old City, Delhi by Valentine Cameron Prinsep. Oil on canvas.

A Woody Landscape by William Blake, circa 1801. Watercolor and graphite.

Lone tree in a winter snow landscape taken in Great Wyrley, Staffordshire. The tree was highlighted by the suns rays breaking through a dramatic winters sky.